The vampire genre has become a significant cross to bear. Tainted in recent years by the likes of the widely reviled Twilight saga, the requisite Friedberg/Seltzer parodies (like Vampires Suck), and general overexposure on TV and film (Vampire Diaries, True Blood, etc.), it’s become a crowded field that’s difficult to pump fresh blood into. Mockumentaries seem nearly as omnipresent and disposable, making What We Do in the Shadows (which melds the two genres) an unlikely success.
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